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Creation

Recently, my choreographic work has been deeply inspired by themes of Afrofuturism, guiding me toward investigations of the body as a site of dialogue—both with itself and with others—in response to the socio-political climate. In reverence to the makers who came before me, and in collaboration with my contemporaries, I recognize choreographic composition as a marker of time—particularly in what feels like a critical moment in history. I am excited about the potential of contemporary dance practices, with their expansive and genre-blending nature, to address the complexities of deeply nuanced subject matter. What started as directing bodies through space and time has revealed itself as an opportunity to direct the interconnected energy between people, guiding them to articulate a shared perspective. In engaging composers, writers, and lighting designers to support my work, I bring this same perspective into the larger artistic team. Like oral histories and songs, the act of using shared physicality to construct complex architectural designs continues to drive my inquiries as a dance maker. Together, these elements serve as a powerful commentary on the larger existential structures that shape our shared human experience.

Choreography / Direction

Selected Works

Run Time: 45 Min

Supported by the Heinz Creative Development Award & Triskelion Arts

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Run Time: 50 Min

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Run Time: 20 Min

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With the Black Creatures and archival audio courtesy of David Hoffman

Run Time: 50 Min

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Run Time: 15 Min

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  • HOME (2021)
    Commissioned by Black Iris AMP Choreographer Program

Run Time: 8 Min

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Kinded HSPVA 2021 Black History Production

Run time: 90 Min

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Run Time: 7 Min

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Awards & Recognitions

  • Pepatián Dance Future Residency Artist (2025)

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  • Heinz Endowment Creative Development Award (2024)

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  • Art Omi: Dance Residency (2021)

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  • AMP Emerging Choreographer, Black Iris Project (2020)

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  • Dizzy Feet Foundation Scholarship / Gala Performer (Stacey Tookey, 2015)

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  • YoungArts Finalist – Modern Dance (2012)

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